puppetry play for kids-the-weaver girl and the cowherd

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21 characters. 14 pages in length. Approximately 10-15 minutes running time. An Asian puppetry play (with classroom materials) written by August Mergelman. (3 Credits)

The Weaver Girl & the Cowherd is an Asian Puppetry play! This story’s fairy godfather has taken on three fairy godsons as apprentices, and the whole lot of them need to keep their noses clean, just in case the Empress of the Universe and the Surrounding Area should drop in to inspect. The mortal whose wish they’ve chosen to grant is a cowherd who’s fallen in love with a celestial laundress. That’s right—she does laundry for her six celestial sisters, each one a diva. With a bit of trickery, the godsons get the two young lovebirds together, but when the Empress gets wise to the fact that her heavenly weaver girl has become an earthling, she certainly has a thing or two to say about it. This entertaining play also includes added materials including improvisation and acting exercises, a project for students and questions for discussion and research. You can find these other fantastic plays by August Mergelman in our Script Library: Spider BesiderFancy Nancy & the AntsPersephoneThe MagpiesBy JoveA Merry Interlude at CamelotMum’s the WordThe VixenCouthPantalone’s New PantalonesThe Honest ImpostorThe Dragon & the PearlPolly Peachum & the PiratesLady Scottish PlayPenny from HeavenThe Cat NoirTrade Trade SecretsJackie & the Beans TalkNorth Paws.

As a playwright, August Mergelman has one simple goal: to bring classical works to the modern audience. It seems that so many of the world’s great dramas are obscured by their own magnitude. August does not believe that any of history’s great playwrights would truly want their works to be intimidating or bewildering. First and foremost, they were showman; they crafted their works to be engaging, challenging, and most importantly, entertaining. As a fourth-generation Colorado native, August is proud of his western heritage, which is manifest in several of his western settings. His works have been featured in the Playwrights’ Showcase of the Western Region and the Rocky Mountain Theatre Association’s Playwriting Competition.

Excerpt from the play:


Rod Puppets (Wayang)
Sam — a fairy godfather
Gary — Sam’s oldest apprentice
Pat — the middle apprentice
Gabby — the youngest apprentice

Glove Puppets
Vega — a lovely yet modest maiden
Altair — a simple yet hearty cowherd
First Sister — a diva
Second Sister — another
Third Sister — another
Fourth Sister — another
Fifth Sister — another
Sixth Sister — another
First Brother — a cowherd
Second Brother — another
Third Brother — another
Fourth Brother — another
Fifth Brother — another
Sixth Brother — another

Doll Puppets (Bunraku)
Empress — the biggest diva of all; operated by two puppeteers

Human Puppets
First Storyteller
Second Storyteller
OX — Altair’s helper; played by Gary

(A partition conceals the puppeteers. The storytellers, being live actors, may stand in front of it.)

First Storyteller
Our story begins with the arrival of four supernatural beings—the old fairy godfather and his three fairy godsons. Someday soon, the three fairy godsons hope to be fairy godfathers too, but for now, they’re just apprentices.

Second Storyteller
Pat is the middle godson.

(Pat enters right, followed by Sam, Gary, and Gabby. Pat sniffs away.)

Second Storyteller
He uses his incredibly large nose…

(Pat glares at the Second Storyteller intently.)

Second Storyteller
His distinctively handsome nose… to smell out that one lucky human whose wish will be granted this very evening.

Human with bewildered expression… no… human with heavy heart… getting closer. Ah, here we are. Human with a yearning heart.

This must be the place. I was hoping the human would be here already.

You worry too much, boss. Everything is going smooth so far.

And it better turn out smooth in the end. Do you realize how long it’s been since the four of us have accomplished a good deed? I can’t remember the last time.

Well, your memory ain’t so good, boss.

Never you mind my memory. If the Empress were to come down here and see us sitting on our duffs, there’d be heck to pay.

(The cutout of the Empress appears.)

Why should we get all worked up about it now? We’ve never even seen the Empress.

Count your blessings. She usually only appears when she’s really torqued off. Word to the wise—don’t ever get the Empress torqued off.

How do you know so much about this old battle-axe, anyway?

(The cutout of the battle-Axe appears.)

She ain’t no battle-axe! That lady’s got something called class, and what’s more, she’s got more magic in her little hairpin than all you twerps got combined.

(The cutout of the hairpin appears.)

Years ago, back when this boss of yours cut a trimmer figure, she and I was… acquainted… personally.

(The cutout of the heart appears.)


But never you mind all that now! You twerps weren’t even ankle-biters back then. You weren’t even fairy dust yet.

(The cutout of the stork appears. The godsons snicker.) Gabby! Are mocking me with shadows again?

What? (Plays innocent.) No, boss.

’Cause I really hate it when you mock me with shadows behind my back. Anyway… (Looks down the Path.) …I think I see your lucky mortal coming this way now. You guys know what to do.

What? You ain’t gonna stick around for this?

Hey, you don’t need me to wipe your noses anymore. Every fairy godfather’s gotta learn to stand on his own two feet, so this time, you twerps are on your own. However, when I get a chance, I’ll check in to make sure you’re not royally screwin’ it up.

You can count on us, boss.

(Sam exits right.)

Where do you think he’s goin’, anyway?

Probably got a hot date with the Empress.

Ewww. Watch out for that magic hairpin, boss.

(Enters left, and paces nervously.) This time, I’m gonna talk to her. Tonight’s the night. I’m just going to walk right up to her and… (Turns away.) Ah, who am I kidding, anyway?

(Altair watches as a rainbow appears, and the six sisters, wearing heavenly cloaks, begin their entrance down the rainbow.)

This one’s gonna be a tough nut to crack. What’s he lookin’ at? (Sees it, too.) Ooh. Would you get a load of that?

First Storyteller
At that moment, six celestial sisters were sliding down a rainbow.

You don’t see that every day…

(Vega starts her entrance down the rainbow.)

Wait. There’s one bringin’ up the rear.

First Storyteller
Oh. That’s right. Seven. Seven celestial sisters.

Big deal. Hoity-toity sky divas. They wouldn’t look twice at chumps like us. Their feet came down to earth, all right, but they left their noses stuck way up in the air. Just look at ’em.

Second Storyteller
Actually, there was considerable truth in what Pat was saying.

First Storyteller
Six of the divas were somewhat… self-centered, while the seventh one—the youngest one—was known for being particularly gentle and selfless, maybe to a fault.

Second Storyteller
They called her the weaver girl, and she took responsibility for all the laundry and sewing that her sisters could come up with.

(Throughout the following lines, Vega takes the garments from the six sisters.)

First Sister
Vega, would you mind terribly? I dribbled a bit of tea on my coat.

Third Sister
Vega, dear, my cloak needs to be hemmed, just a touch. Thank you ever so much.

Fifth Sister
Vega, would you believe there’s snag in my sleeve? I don’t know what happened. I just…

I got it.

(Vega goes to work while the six sisters dance their way off.)

All right, guys. It’s time for one of us to transform. I’m gonna blow some dust his way. You know the drill. If he picks a reptile, you’re on, Pat. If he picks a mammal, you’re up, Gary. He picks a fish, it’s my turn. (Mimes blowing some magical dust from his hand towards Altair.)

She’s so delicate and refined. Next to her, I just look like a big…



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